PARIS— Yohji Yamamoto provided a Paris Style Week collection Friday that distilled his language to its core: black and white, city, fluid shapes, touched with flashes of disobedience.
The program opened up with pared-down black appearances, some bearing graffiti themes, prior to soft fringed sets in shoes provided the seriousness a gentler guide.
Tartan showed up in shredded, deconstructed type, disrupting the reflections on black with a shock of pattern, adhered to by white dress that tracked in strips, aerial yet raw. Foliage-like bands mapped upper bodies like abstract creeping plants. Ultimately, red arised in sculptural layers– a grow of dramatization that highlighted his reaction for refined phenomenon.
At 81, Yamamoto has actually long withstood style’s cycles. He is still the master of deconstruction: puzzle-piece layers, split bustles, and Cubist geometries have actually specified his years of job. Right here, however, he leaned right into simpleness, resembling his current programs where frailty and empowerment remain in equilibrium, and where black comes to be a multidimensional canvas.
The hosting was hushed, the designs’ sluggish stride intensifying the feeling of eternity. In a period of consistent reinvention, Yamamoto’s rejection to go after uniqueness reviews as radical. His clothing stay clearly his: heavy, psychological, and permanently elegant.
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