PARIS— Walter Van Beirendonck, among the last standing developers of the fabulous Antwerp 6, supplied a menswear program Wednesday that combined unique fancifulness with attacking social discourse at Paris Style Week.
As designs displayed in extra-large off-white bowler hats and loosened ’70s inspect matches with vintage boho collars, the collection danced in between fond memories and progressive theatrics.
In real Van Beirendonck design, enjoyable rammed the macabre. Edward Scissorhands appeared to haunt the atelier, motivating sharp-cut deconstructed matches with extended phony fingers. Skull-and-bone themes were spirited winks on caps, while angular caterpillar forms sneaked under sneaker-boots.
Headscarves obtained from ’50s feminineness were reimagined right into sculptural 3D things, their abstract kinds including a responsive deepness.
Alien power instilled the collection, significantly in a spidery face mask coupled with those rounded, transcendent fingers. The spooky yet spirited style lingered, enhanced by a grieving black shroud appearing like a beekeeper’s hat– a nod to frailty amidst the silly.
The collection was as much concerning pressing borders as it had to do with sartorial musings.
While Van Beirendonck’s eyeglasses will not interest typical preferences, his capacity to funnel individual and social stress right into vibrant, wearable art continues to be unequaled. With his unusual alphabets, absurdist headpieces and staged percentages, he remains to verify that style, at its most engaging, has to do with bold to doubt.
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